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I know everybody always grandly takes on the High Seas, sailing them with lots of "arrrr“ and stuff, but I’ve found that small, quick flowing rivers oftentimes do yield a good catch.
I have too many toothbrushes
I know everybody always grandly takes on the High Seas, sailing them with lots of "arrrr“ and stuff, but I’ve found that small, quick flowing rivers oftentimes do yield a good catch.
Marcan (@marcan@treehouse.systems) is talking about tackling thunderbolt and power usage while sleeping these days - and other stuff
https://social.treehouse.systems/@marcan/112277289414246878
AsahiLina (@lina@vt.social) was back on the graphic driver to get, ultimately, to Vulkan
You’re not wrong. That’s why I kept a small macos partition to do the hard crunch when needed, like rendering in kdenlive. Everything else I can just do on Asahi, including Ardour multitrack exports.
AsahiLina was at it yesterday, ultimately chasing Vulkan compatibility:
Mbp sorry, not iPad :(
https://piped.video/watch?v=1iiFhhOkv14
It is now based on fedora not arch, but the install process is the same
Ah again. One more moving target to chase for the nice AsahiLinux project.
I just finished the full soundtrack of a theatre play using AsahiLinux on my M2pro mbp. I resorted to macos only to render some heavy video tracks.
It all works quite smoothly ; the install process is a breeze of a single .sh script to run directly from macos. The amount of software available for Arm64 is surprising, tho gamers will be disappointed there’s no Vulkan / Steam available yet.
That “Default” install is really just Fedora, shipped with KDE for it’s superior handling of fractional scaling. There’s the dnf package manager, flatpaks, the works.
I’m 80~90% of the time on the Asahi side of things on my device. Showstoppers today are sleep battery drain (50% a day) and pure “ooomph” - performance of an M2Pro chip is more akin to a 12th gen i7 than the same chip under macos. Rendering in kdenlive or blender is noticeably slower on Asahi. But it’s a huge reverse-engineering undertaking, and it will be getting better.
It’s a blog post on how to get Netflix and Spotify to work on Asahi Linux, the project to run Linux on new “M” chipsets 64bits Arm apple computers. Their solution (and widevine hack) is now integrated in the Fedora Linux Asahi Remix project’ default distro. You still have to do the user agent mod tho.
You wonderfully deviated this conversation towards the real threats we are facing in the near future, and right now. That was very well said, thank you.
OP’s premises may be not wrong on the first point, is in need of some realignment on the second, and I have no idea about the third.
The idea of a post-piracy world can still be envisioned and discussed; will it be full of FOSS and CC-BY-SA? Will it leaves us with only secondhand pulp comics while our roku devices blast 23h out of 24 of ads? Who knows?
Lifa has a lot to offer beyond screens
Yarr, mateys, all sails to the Public Library! We’ll drop anchor at the secondhand bookshop on our way back! And drop all that electronic ballast, it’s only slowing us down…
You are absolutely right; I hadn’t thought of it this way but a post-piracy world should be a frugal one, could be a quiet one. A planet-friendly one.
[??Uh, you’re getting downvoted for asking a straight question? WTF lemmies??]
There’s a difference here that I describe as “pro” meaning specialized, complex software targeted at big businesses vs individual tools of the trade: Vectorworks is gonna get paid for happily by companies needing support and relying on it for critical output, while your next door young architect will run an outdated, cracked version of AutoCAD because it’s just too expensive - that kid could (and should) run Qcad.
Where I see pirated software surviving is also as a form of legacy support: if you run old hardware (i.e. 32bits), that’s where “pro” software is gonna suck & leave you dry, while torrents are still out there.
In gaming or media, cracking looks like a sport, I feel people just want to have fun blowing restrictions to pieces. It’s heartwarming!
Back to the 'tools of the trade" category, I am happy to pay a moderate price to support a talented dev (Isadora, D::Light) but get understandably annoyed at huge businesses practicing insufferable licensing schemes. I wish people start looking, and using then supporting more alternatives out there - but isn’t photoshop still crack-able because it helps it dominate the market where The Gimp would do if it was the standard?
I do not use a kindle for the same reason. Amazon allows you to create a user email adress attached to mobile-enabled kindles to exchange docs by simply firing an email to that address ; it may not be on current models but 3G Paperwhites had them.
DRM-free ebooks. I make a point of buying them, of thanking the publisher… And not sharing it on the usual piracy channels.
ebook.com has a tickbox in its search tool to look only for drm-free books. I miss-clicked once, buying a locked book & was refunded with zero hassle.
Tachyon Publications straight out does not sell drm-locked books.
For Women’s Right Day, the android app store featured the lead of Security and Privacy of this very app. A lady BTW. Fuck me sideways how that was a ton of crap, retrospectively. She said in so many words the usual “privacy foremost” and other such obvious shit, then she also said “no selling ever”.
I despair of humanity.
You don’t need that: Proton will only surrender accounts/information to local authorities with the appropriate paperwork - and that’s their selling point on privacy, swiss law being pretty protective of privacy ; in this case, a corpus of evidence has been submitted by a recognized foreign entity & considered valid for action in regard to swiss law.
That’s what makes proton secure for journalists, political opponents and such: no swiss judge will enable any random dictator to get a dissident’s info, it won’t fly with swiss law. And if that escalates to bogus criminal charges, it is still up to a swiss judge to decide how and if to proceed.
You put your trust in Switzerland here, not in a nerdy business with an atom-smashing background.
Funny story the other way around: the year is 2002 and I live in Laos. Bootlegs Everything Galore, all movies games music cost $1 or about. I discover a game, and then begins a quest to buy The Real Version because it’s a small studio and I really like it all, the storytelling, the modding tools, the community… A quest that would end up in Bangkok looking like the proverbial insane foreigner looking for the most stupid way to spend his money.
I found it eventually, in a shop that didn’t look any different among all its brothers in Pantip Plaza. Took me a while lol.